Antoinette Halloran - Linda Kouvaras: Piano Music, Chamber Works and Songs, Vol. 3
The Australian Linda Kouvaras (b. 1960)-pianist and musicologist as well as composer-adopts an explicitly feminist viewpoint in her work. She describes She, Who Should Have Been a Queen as a song-cycle, but in fact the text, by Antoinette Halloran, presents a series of dramatic scenas that radically re-assess the fates of a series of female characters from famous operas, the edgy humour and familiar musical language only slightly softening the implied social commentary. To the Lighthouse for brass quintet has, improbably, both a feminist subtext and the engaging buoyancy of a Baroque canzona. As with many other Australian composers, Kouvaras' piano music has a strong sense of space and place, and her expansive Bundanon Suite uses virtuosic piano-writing to present a series of sketches of the landscapes around the Shoalhaven River in New South Wales, with lyrical, elegiac melodic lines that soar over freewheeling piano textures.
The Australian Linda Kouvaras (b. 1960)-pianist and musicologist as well as composer-adopts an explicitly feminist viewpoint in her work. She describes She, Who Should Have Been a Queen as a song-cycle, but in fact the text, by Antoinette Halloran, presents a series of dramatic scenas that radically re-assess the fates of a series of female characters from famous operas, the edgy humour and familiar musical language only slightly softening the implied social commentary. To the Lighthouse for brass quintet has, improbably, both a feminist subtext and the engaging buoyancy of a Baroque canzona. As with many other Australian composers, Kouvaras' piano music has a strong sense of space and place, and her expansive Bundanon Suite uses virtuosic piano-writing to present a series of sketches of the landscapes around the Shoalhaven River in New South Wales, with lyrical, elegiac melodic lines that soar over freewheeling piano textures.
Description
The Australian Linda Kouvaras (b. 1960)-pianist and musicologist as well as composer-adopts an explicitly feminist viewpoint in her work. She describes She, Who Should Have Been a Queen as a song-cycle, but in fact the text, by Antoinette Halloran, presents a series of dramatic scenas that radically re-assess the fates of a series of female characters from famous operas, the edgy humour and familiar musical language only slightly softening the implied social commentary. To the Lighthouse for brass quintet has, improbably, both a feminist subtext and the engaging buoyancy of a Baroque canzona. As with many other Australian composers, Kouvaras' piano music has a strong sense of space and place, and her expansive Bundanon Suite uses virtuosic piano-writing to present a series of sketches of the landscapes around the Shoalhaven River in New South Wales, with lyrical, elegiac melodic lines that soar over freewheeling piano textures.